The Beatles: Hal Leonard Student Piano Library Popular Songs Series (Hal Leonard Student Piano Library (Songbooks)) [Paperback] Review

The Beatles: Hal Leonard Student Piano Library Popular Songs Series) [Paperback]Everyones review is reffering to a Beatle guitar book, not the piano book that I am seeing.I don't know how this happens, but this is the second piano book at Amazon that was linked to guitar seach inside and wrong reviews.I'm just glad I paid attention or I would have gotten the piano book based on a guitar review.

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The top hits of the Beatles featured in this collection display a wide range of styles: stunning, lyrical arrangements, such as "Michelle," as well as incisively hip renditions of several of edgier tunes, like "Revolution." Also includes: Can't Buy Me Love * Get Back * Here Comes the Sun * Martha My Dear * Ob-La-Di, Ob-La-Da * Yesterday.

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Complete Etudes for Solo Piano, Series II: Including the Paganini Etudes and Concert Etudes [Paperback] Review

Complete Etudes for Solo Piano, Series II: Including the Paganini Etudes and Concert Etudes [Paperback]The so good edition of the entire piano music of Franz Liszt ( it's not really complete, sadly) made by the pianist and composer Ferruccio Busoni. It's not easy to find this edition. Dover offers just the completeetudes(in two volumes). As usual for Dover, not first quality printing, butfor this price it's a bargain and a good complement for the Budapestedition.

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Also includes Morceau de Saon, and Ab Irato. Breitkopf & Härtel Edition.

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Playing the Beethoven Piano Sonatas (Amadeus) [Paperback] Review

Playing the Beethoven Piano Sonatas [Paperback]Beethoven's 32 piano sonatas, along with the two books of Johann Sebastian Bach's Well-Tempered Clavier, form the summit of the pianist's art.These are works that all pianists must confront and, to a greater or lesser extent, master.The greatest pianists, the true artists, indelibly stamp these works with their own personalities and performances.The rest of us struggle to learn them well enough not to embarrass ourselves in front of others and, even more importantly, to satisfy our own inner drives to make music and to make this glorious music our own.Robert Taub's book, "Playing the Beethoven Sonatas," is a welcome addition to those books that seek to enlighten other pianists--both professional and dedicated amateur--on how best to perform these superb but very difficult compositions.
It may be useful to point out initially what this book is not:It is not a musicological analyses of the Beethoven sonatas.It is not a Beethoven biography, although Taub does not hesitate to use events from the Master's life to illustrate his performance suggestions.It's not a collection of "war stories," or inspiring anecdotes for struggling pianists or harried piano teachers.It's not Taub's memoirs.And it is not a substitute for Charles Rosen's masterpiece, Beethoven`s Piano Sonatas: A Short Companion.Indeed, as another reviewer has noted, Taub is best seen as complementary to Rosen.As I've noted in other reviews, I consider Rosen to be one of America's true public intellectuals; his vast erudition and wit grace every page he writes.But these same qualities sometimes obscure the point he makes; they often overwhelm the dedicated amateur pianist who's seeking a quick solution to a phrasing or fingering problem.Taub, on the other hand, writes not only with precision and clarity; he writes for the working pianist.While it is incorrect to call this work a textbook, Taub's careful, precise, measure-by-measure suggestions as to touch, pedaling, dynamics, tempi, fingerings, and tone come close to being just that.What separates this work from the mere textbook is the very personal nature of Taub's suggestions.It is obvious he has lived with the Beethoven sonatas for most of his life, struggling over decades to discover and lay bare their inner meaning.In this work, he makes the reader privy to that struggle.
And what a struggle it is!Beethoven is notorious in his disdain for the technical difficulties his sonatas present to amateur and professional alike.I have three different editions of the Beethoven sonatas from which I perform: an urtext edition, the Artur Schnabel edition, and the Bulow edition published by Schirmer.In many places, these editions can only agree to disagree, even as to the fundamentals.The value of Taub's book is that, for a fraction of the price of conservatory training, the aspiring pianist (and here I include myself) may find out how one of the greatest living Beethoven interpreters goes about his work.Where is the pianist who would not find such help invaluable?
Other reviewers have commented on the structure of this book; there's no need to repeat that information here.Taub is scrupulous in his reverence for the printed text, insofar as he can determine what the authoritative text is.Among the most useful features of this work is Taub's careful edition-by-edition analysis of problematic passages in Beethoven's sonatas.The author usually provides a satisfactory resolution of the textual problem he highlights, in the process imparting valuable information not only as to correct performance practices, but also giving advice as to how the reader might resolve other textual conflicts she might encounter.
In the last analysis, it is Taub's reverence for the text, his scrupulous attention to the tiniest detail, that makes this book so valuable.By this, I mean the difference between telling a pianist to play a passage with feeling, and showing the pianist how she may best articulate and communicate the deep feelings that Beethoven's music inevitably engenders.An example:the opening chord of the Pathetique Sonata, Op. 13 in Cm, is marked "fp."How to play it? Taub tells exactly how to do so.His solution involves touch, pedaling, sensitivity to dynamics, and careful listening; he tells you exactly how to apply these tools to achieve the desired result.And his explanations are clear and precise, easily understood by anyone with score in hand and a piano at the ready.Here it is obvious that Taub has not only had quality instruction, he himself is a master pedagogue.
Which leads me to my last observations:First, this book isn't bedtime or casual reading.You need to have a good, reliable edition of the Beethoven sonatas at hand, or at least the sonata(s) on which you are working.It's helpful if the edition is numbered by measure; otherwise, take the time to number each measure in your score.You will save yourself a lot of frustration.Second, your work with this book will be more rewarding if you have access to a piano that is capable of replicating the full panoply of effects Beethoven's sonatas demand--in other words, it works best with a good grand piano.Consoles or (shudder!) spinets or (double shudder!!) electronic keyboards just won't cut it.If you're talented enough to play Beethoven sonatas, make your experience more rewarding and play them on a quality piano.
Amazon's rating system only goes to five stars.This book deserves unlimited stars--the diligent pianist will find a lifetime of help in this book.Robert Taub is to be commended for producing such a fine volume, and for his unselfishness in sharing his formidable talent and considerable investment of time and energy with all of those desiring to climb the summit of the pianist's art.Bravissimo!

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Acclaimed pianist Robert Taub offers the insights of a passionate musician who performs all 32 of Beethoven's well-loved piano sonatas in concert worldwide, bringing a "fresh perspective on Beethoven," as the New York Times put it. In this book, he shares his intimate understanding of these works with listeners and players alike.

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Ben Folds Five - Keyboard Signature Licks [Paperback] Review

Ben Folds Five - Keyboard Signature Licks [Paperback]First, a warning: the songs in this book are NOT COMPLETELY TRANSCRIBED.Looking for the bridge to "Eddie Walker?"Not in the book; better be able to learn it from ear.
That being said, what is in the book is of high quality.The transcriptions are dead on, and the CD helps get you through the tougher passages like the end of "Philosophy" and the piano solo from "Song For the Dumped."The song selection, while questionable at times ("Mess" but no "Army?" "Evaporated" but no "One Angry Dwarf?"C'mon!), is overall quite good and will satisfy most Ben Folds Five.
But if you're HARD CORE into BFF, you may be better off with album folios, which have complete transcriptions.Still, this is a great book and will occupy hours of piano time.Play like Ben.Impress your friends.Have fun.

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This exceptional book/CD pack teaches pianists the techniques and style of this popular piano-based band. It breaks down the trademark riffs and licks for 16 songs from four albums by Ben Folds Five: Alice Childress * Battle of Who Could Care Less * Boxing * Brick * Don't Change Your Plans * Eddie Walker * Evaporated * Kate * The Last Polka * Lullabye * Magic * Mess * Narcolepsy * Philosophy * Song for the Dumped * Underground.

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Czerny 100 Recreations (Kalmus Edition)First Instruction In Piano Playing [Paperback] Review

Czerny 100 RecreationsFirst Instruction In Piano Playing [Paperback]My daughter is using Czerny along with her Suzuki books. I have seen a leap ofimprovement during a relatively short time. This book takes devotion, but the dividends are worth it.

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Solos for piano by Karl Czerny.

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Little Shop of Horrors -- Original Motion Picture Soundtrack [Paperback] Review

Little Shop of Horrors -- Original Motion Picture Soundtrack [Paperback]Good sheet music, but missing alot of songs fromt he movie. Easy to play, but meaty enough for rehearsals.

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The off-Broadway musical comedy with a heart of horror is also a movie! Songs include: Skid Row (Downtown)
* Da-Doo
* Grow for Me
* Somewhere That's Green
* Some Fun Now
* Dentist!
* Suddenly, Seymour
* Suppertime
* The Meek Shall Inherit
* Mean Green Mother from Outerspace and more.

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Alfred's Basic Piano Library, Lesson Book 1A (Book & CD)--Spanish Edition [Paperback] Review

Alfred's Basic Piano Library, Lesson Book 1A--Spanish Edition [Paperback]In Mexico, they teach using the Solfeggio Scale. This book is useless for teaching in Mexico. Alfred apparently had this book translated from English, and I like the Alfred Method, when I am teaching in the United States. In Mexico, they do not use the letter names for the notes, but use the Solfeggio Scale (do-re-mi-fa, etc.). Do not buy this book if you want to learn piano so that you can communicate with other musicians in Mexico, or if you are teaching a Mexican student who hopes to continue his or her education in a Mexican school. I would also check the other Latin American countries before ordering this book - I suspect they too use the Solfeggio Scale System and not the letter name note system (C-D-E-F, etc.).

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The Lesson Books are at the core of the Basic Piano Course and should be used as the basic instructional tutor for all students. To ensure problem-free progress throughout the course, and to avoid gaps that might impede progress, the authors have used "overlapping concepts." This means that after a concept has been introduced, it continues to be reinforced simultaneously with the introduction of new concepts. Use the Lesson Books in conjunction with the other core subject books, Theory Books and Recital Books, plus any supplemental books you feel will enhance your students' experiences at the piano.

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